Concert Preview: Symphony Tacoma presents “Remembrance”

Concert Preview: Symphony Tacoma presents “Remembrance”

Concert Preview: Symphony Tacoma presents: “Remembrance”

Sarah Ioannides | Symphony Tacoma Music Director | Female Conductor and Composer

 

Tacoma, WA — This year celebrates the 150th anniversary of Verdi’s Requiem, his monumental choral masterpiece that transcends the traditional boundaries of the Requiem mass with its dramatic intensity and emotional depths. Symphony Tacoma proudly joins the celebration with its premiere performance of this epic piece at Remembrance on Saturday, February 24th. Symphony Tacoma, Symphony Tacoma Voices, and four renowned soloists means over 160 musicians will be on the Pantages stage.

The Requiem premiered on the first anniversary of Manzoni’s passing and was immediately labeled a masterpiece. One review commented, “To follow the movement one by one would be quite impossible; but we will say, nevertheless, that all applauded with rapture. The ‘Dies Irae’, with all the episodes which it comprises, was received with extraordinary favor. But at the ‘Offertorium’, the enthusiasm knew no bounds, and the public insisted on the repetition of this admirable quartet with chorus … At the ‘Agnus Dei’, the applause grew louder, and suppressed shouts broke out during the performance, so powerful was the inspiration which it revealed … After the ‘Offertorium’ had been repeated, a silver crown was presented to Verdi on a velvet cushion, whilst the public applauded with rapture.”

Symphony Tacoma Music Director, Sarah Ioannides comments, “Something like Verdi’s Requiem can have a lasting effect on you. The conveyance of the emotions that surface when you hear something like this; when you have so many forces on stage, and such a direct communication with the composer himself. With Verdi’s passion, feelings of grief, loss, and sadness but also at the same time with hope, and lightness, and joy. That moment of loss is also the moment of rebirth. So, let’s come together and celebrate life and humanity!”

News: 2023 4BR Conductor of the Year Nomination

News: 2023 4BR Conductor of the Year Nomination

News: 2023 4BR Conductor of the Year Nomination

Sarah Ioannides | Symphony Tacoma Music Director | Female Conductor and Composer

Very much a reflection of what of the success the bands under their command achieved on various artistic stage throughout the year, it was also a battle between two heavyweight contenders for the accolade of ‘4BR Conductor of the Year’.

The final podium spot goes to Sarah Ioannides who made such a remarkable impression with the National Youth Band of Great Britain this year, and who just pipped Prof Nicholas Childs of Black Dyke.

Concert Review: Looking to What Comes Next with Kelly Hall-Tompkins and Symphony Tacoma

Concert Review: Looking to What Comes Next with Kelly Hall-Tompkins and Symphony Tacoma

Concert Review:​ Looking to What Comes Next with Kelly Hall-Tompkins and Symphony Tacoma

Sarah Ioannides | Symphony Tacoma Music Director | Female Conductor and Composer

 

Symphony Tacoma, led by conductor Sarah Ioannides, gave a dazzling performance of their Classics II concert, titled American Fusion.

…the concert which consisted of Leonard Bernstein’s Candide Overture, the recently composed  Violin Concerto by Wynton Marsalis, and culminated in Aaron Copland’s Symphony No. 3. For the Violin  Concerto Symphony Tacoma was joined by Kelly Hall-Tompkins as the solo violinist. The night was filled  with varied themes infused with the feeling of Americana; the thrill and action of Bernstein, the  harmony of roots and discovery in Marsalis, and the open and hopeful spaces of Copland. 

The evening began with the heroic humor of Leonard Bernstein’s Candide Overture, which for all its fun  is a deceptively difficult work that can easily descend into sluggish murk due to its demand for alacrity  and precision. Symphony Tacoma propelled the energy forward, displaying grand vistas and subtle  tableaus, dexterous winds and powerhouse brass and sweeping strings, unrelenting in momentum.  Voltaire’s adventure is recalled in unstoppable movement as the overture came to its explosive  conclusion, creating all the space needed for the arrival of Marsalis’ Violin Concerto

The featured soloist for the evening was the violinist Kelly Hall-Tompkins, whose take on the Concerto was full of character, humor, brazenness and sentimentality. She was an incredible communicator,  expressing musical lines with an honesty and clarity that couldn’t help but be responded to in both the  audience and the orchestra, an essential component in a work like the Violin Concerto with its musical  conversation between sections, lines and colors. Kelly and Symphony Tacoma navigated this complex  interplay while making it look natural and feel spontaneous, an impressive and difficult feat! The result  was a performance of genuine personality that invites all to the conversation and to experience the joys of that conversation together. 

Impressionistic gems: Sarah Ioannides and Philippe Quint with the Vancouver Symphony Orchestra

Impressionistic gems: Sarah Ioannides and Philippe Quint with the Vancouver Symphony Orchestra

Impressionistic gems: Sarah Ioannides and Philippe Quint with the Vancouver Symphony Orchestra

Zuill Bailey

The Vancouver Symphony concert this weekend at Skyview Concert Hall will feature impressionistic, programmatic music by Claude Debussy, Maurice Ravel, John Corigliano, Ralph Vaughn Williams, and Ottorino Respighi. Under guest conductor Sarah Ioannides, the orchestra will suggest sounds that might remind you of scenes from nature, cities, exotic cultures, and even ancient Rome.

The concert marks a return engagement for Ioannides, who is in her tenth year as the Music Director of Symphony Tacoma. Ioannides made a terrific impression in her last appearance with the orchestra in January of 2021, even though she had to conduct with a mask because of the pandemic. This time around, she will be freed up to convey a fuller range of emotion.

“I love the impressionist and post-impressionist period of music,” said Ioannides via phone. “This concert will feature rich and lush pieces that resonate well with audiences. Corigliano is one of the great American composers, and his Red Violin Chaconne is based on seven different chords. People can follow the seven-chord line through the piece.”

One of the finest programmatic works ever written is Respighi’s Pines of Rome, a tone poem with four movements portraying settings in the city with pine trees.

“You will hear children playing under the pine trees in the Villa Borghese gardens in the first movement,” said Ioannides. “The second presents shadows of the pines by the catacombs. It is hymnlike and mysterious. The third offers a nighttime scene of the pines of the Janiculum hill, and it has a recording of bird sounds. In the fourth movement the dawn comes back, and we are at the Appian Way with a distance army marching toward us as the sun comes up – leaving all the death and the misery behind – glory has come to the new capital.”
 
Since the concert is loaded with impressionistic gems, the music will encourage audience members to close their eyes and use their imaginations. That might cause some people to reach into their purses for bug spray when they hear The Wasps, but who can blame them.