Concert Preview: Symphony Tacoma present World Premiere, Beethoven’s Symphony No. 7 in Classics V

Symphony Tacoma is proud to present Classics V: Dancing Mallets & Pulsing Percussion. arx duo will perform, including the world premiere of Nick DiBernardino’s Double Percussion Concerto, on Saturday, April 22, 2023 at 7:30 PM in the Pantages Theater.

Percussionists Garrett Arney and Mari Yoshinaga make arx duo. Working closely with a large variety of composers and ensembles, arx duo is a 501(c)3 not-for-profit organization that expands the percussion repertoire by commissioning, performing and workshop pieces from artists all over the world. arx duo has served as educators at many universities including Peabody Conservatory, Michigan State University, and currently serve as faculty for the Curtis Institute of Music Young Artists Summer Program

Beginning the program will be Bartók’s Romanian Folk Dances. Originally composed for solo piano in 1915, Bartók developed an interest in his native folk music in his early 20s, noting, “I consider it my goal in life to continue my study of Romanian folk music, at least in Transylvania, and carry it to its end …”. Bartok traveled to Transylvania numerous times, where he recorded and transcribed the music of the local population. These folk tunes provided the tunes, rhythms and harmonies that inspired his own compositions.

Beethoven’s renowned Symphony No. 7 will close out the program, one of his best works according to Beethoven himself. The piece’s four movements leave a poetic impression on listeners, favoring so well it had to be repeated in concert four days later. Each movement varies- from an extensive, slow introduction, leading you into the most graceful, haunting ten minutes of music ever composed. This is followed by a frenzied scherzo movement, and finishing with incredibly high energy. While critics wondered if Beethoven was intoxicated at the time of the composition, French writer and Beethoven’s biographer, Romain Rolland, responded, “It was indeed the work of an intoxicated man, but one intoxicated with poetry and genius.”

Concert Review: Reconciliation 140 Years in the Making

Concert Review: Reconciliation 140 Years in the Making

Concert Preview: Symphony Tacoma Brings World Premiere Of ‘Tacoma Method’

A compelling opera based on the expulsion of Chinese residents from Tacoma in 1885 will make its world premiere at the Pantages Theater on Feb. 25. As part of Symphony Tacoma’s regular subscription series, February’s concert, titled “Reconciliation,” will include excerpts from “Tacoma Method” composed by Pacific Lutheran University Professor of Music Greg Youtz and librettist Zhang Er, a Beijing born-and-raised Chinese poet now teaching at Evergreen College Tacoma. 

“Tacoma Method,” which was awarded major funding from the National Endowment for the Arts, is a most unique and captivating opera depicting the true story of a dark time in Tacoma history when all Chinese people living in Tacoma were violently torn from their homes and run out of town by a vicious mob. Forced to leave everything behind except what they could grab and carry in their panicked state, these Chinese citizens scattered for safety while their homes were ransacked and burned. 

Prior to the “Tacoma Method” premiere, a panel discussion will take place upstairs at the Pantages. Moderated by Chinese Reconciliation Project Foundation board member and University of Puget Sound Asian Studies instructor Lotus Perry, the panel will include Hosley, composer Youtz and librettist Er; mezzo-soprano soloist Hai-Ting Chinn who will be traveling from New York to sing an aria in the “Tacoma Method” premiere; Doug Andreassen from the Tacoma Historical Society; Tacoma Opera General Manager Lim Forgey; Symphony Tacoma Executive Director Karina Bharne and conductor Sarah Ioannides; and Andrew Gomez, University of Puget Sound Associate Professor of History.

“The idea is to give all these organizations a chance to talk about their own interest in these historical events – why it’s important to talk about this now, how they feel about it being done as an opera and why Symphony Tacoma is interested in doing these excerpts,” Youtz said. 

Concert Preview: Symphony Tacoma’s ‘Reconciliation’ Features World Premiere by Local Composer

Symphony Tacoma’s February concert presents selections from Tacoma Method, a new opera by Dr. Gregory Youtz, along with celebrated works by Britten and Brahms. The concert will take place on Saturday, February 25, 2023 at 7:30 pm in Tacoma’s Pantages Theater.

Tacoma Method sheds light on perhaps the most tragic chapter of Tacoma’s history. Written by composer Gregory Youtz, a music professor at Pacific Lutheran University, and librettist Zhang Er, a Beijing born-and-raised Chinese poet now teaching at Evergreen College Tacoma, the opera shares stories from the 1885 expulsion of Chinese pioneers from Tacoma. Zhang Er thoroughly researched the incident and discovered a wealth of historical material from which to write a libretto. Her extensive knowledge of late-19th-century Chinese culture enabled her to flesh out the nature of the principal characters.

Accompanying the orchestra will be New York-based mezzo-soprano Hai-Ting Chinn and vocalists from Symphony Tacoma Voices. Historical photos will be projected on stage to help tell the story. The full Tacoma Method opera will be performed by Tacoma Opera at the Rialto Theater on March 31–April 2, 2023.

Also on the concert program is Britten’s Four Sea Interludes from the opera Peter Grimes. The story is based on an early nineteenth-century narrative poem by George Crabbe that tells the dark story of gossip and persecution. Grimes, a surly, ill-natured fisherman, is suspected of murdering his young apprentices on an isolated seaside fishing village. These excerpts bring the drama and setting of the opera into the concert hall with each piece depicting the sea in various moods—Dawn, Sunday Morning, Moonlight and Storm.

Rounding out the program is Brahms’ deeply passionate Symphony No. 4. More than any other late-19th-century composer, Brahms kept intense classical elements in his music in the height of the Romantic era. Written in the “tragic” vein, this work recalls Beethoven’s Fifth Symphony of 80 years earlier. The “triumph over tragedy” theme characterized by Tchaikovsky and Beethoven is also present, but in a more subtle tone.