[et_pb_section fb_built=”1″ fullwidth=”on” admin_label=”Hero Section” _builder_version=”4.16″ background_color=”#000000″ use_background_color_gradient=”on” background_color_gradient_stops=”rgba(0,0,0,0) 0%|rgba(0,0,0,0) 100%” background_color_gradient_start=”rgba(0,0,0,0)” background_color_gradient_end=”rgba(0,0,0,0)” background_enable_image=”off” parallax=”on” parallax_method=”off” custom_padding=”|||” global_colors_info=”{}”][et_pb_fullwidth_header title=”ACCLAIM” content_max_width=”900px” admin_label=”Image-sarah-ioannides” _builder_version=”4.16″ title_font=”|||on|||||” title_text_color=”#b6b1a9″ title_font_size=”40px” title_letter_spacing=”4px” title_line_height=”1.8em” content_font=”Cormorant Garamond|600|||||||” content_font_size=”30px” content_letter_spacing=”2px” subhead_font_size=”72px” subhead_line_height=”1.4em” background_enable_color=”off” background_color_gradient_direction=”90deg” background_image=”https:\/\/sarahioannidesmusic.com\/wp-content\/uploads\/2020\/10\/Sarah-Ioannides-Acclaim.jpg” background_position=”top_center” custom_button_one=”on” button_one_text_size=”40px” button_one_text_color=”#ffffff” button_one_icon=”"||divi||400″ button_two_icon=”$||divi||400″ custom_padding=”15vw||20vw||false|false” content_font_size_last_edited=”off|desktop” subhead_font_size_tablet=”56px” subhead_font_size_phone=”36px” subhead_font_size_last_edited=”on|phone” content_text_shadow_style=”preset3″ content_text_shadow_horizontal_length=”0.03em” content_text_shadow_vertical_length=”0.09em” content_text_shadow_blur_strength=”0.33em” content_text_shadow_color=”rgba(0,0,0,0.87)” button_one_letter_spacing_hover=”2px” button_two_letter_spacing_hover=”2px” global_colors_info=”{}” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”2px” button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”2px” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.5.7″ _module_preset=”default” custom_padding=”||0px||false|false” global_module=”231908″ saved_tabs=”all” collapsed=”on” global_colors_info=”{}”][et_pb_fullwidth_menu menu_id=”23″ menu_style=”centered” admin_label=”Work Menu” _builder_version=”4.16″ _module_preset=”default” menu_text_color=”#b6b1a9″ menu_font_size=”17px” background_color=”#000000″ custom_padding_tablet=”” custom_padding_phone=”20px||||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_fullwidth_menu][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Section” _builder_version=”4.16″ use_background_color_gradient=”on” background_color_gradient_type=”circular” background_color_gradient_stops=”#8c1515 2%|#000000 100%” background_color_gradient_start=”#8c1515″ background_color_gradient_start_position=”2%” background_color_gradient_end=”#000000″ custom_padding=”20px|0px|50px|0px|false|false” collapsed=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ width=”70%” width_tablet=”” width_phone=”” width_last_edited=”on|phone” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.22.2″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.22.2″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n
Under Ioannides the orchestra played with precision and grace.\u00a0 This was a brilliant beginning to the concert, and to the Symphony Tacoma season……<\/span><\/p>\n The opening work by Lili Boulanger, <\/span>D’un Matin du Printemps <\/span><\/i>(Of a Spring Morning), was a colorful and vivid orchestral tone poem…Under Ioannides the orchestra played with precision and grace. <\/span>The concert\u2019s second half was an interesting contrast of waltzes, Ravel\u2019s <\/span>La Valse<\/span><\/i>, and Strauss; <\/span>Suite from Der Rosenkavalier<\/span><\/i>…<\/span>La Valse<\/span><\/i> is a unique orchestral work, with a unique emotional impact.\u00a0 Symphony Tacoma was impressive with their navigating the tricky turns of phrases, and demanding technical playing required in <\/span>La Valse<\/span><\/i>.\u00a0 The whirlwind ending was full of crazy energy.\u00a0 This performance was a wonderful spectacle for Tacoma to enjoy.<\/span><\/p>\n …Rosenkavalier<\/i> was especially breathtaking. The intensity and pacing of this passage highlighted the artistry Symphony Tacoma has developed under Sarah Ioannides leadership.\u00a0 \u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/thesubtimes.com\/2023\/10\/19\/rhapsody-stunning-opening-to-symphony-tacoma-season\/” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.22.2″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.22.2″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.22.2″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Conductor Sarah Ioannides had to repeatedly return to the rostrum at Saffron Hall on Saturday evening to accept the applause of the audience at the conclusion of the National Youth Brass Band of Great Britain’s end of course concert.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.21.0″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.21.0″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n The orchestra played with palpable energy. Intense louds contrasted lush lyricism. Ioannides\u2019 brilliant conducting led the orchestra through many technical passages.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/thesubtimes.com\/2023\/05\/23\/artful-representation-concludes-symphony-tacoma-season\/” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.21.0″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.21.0″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.21.0″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Symphony Tacoma, led by conductor\u00a0Sarah Ioannides, gave a driving and joyful performance of works old and new…The audience on Saturday night responded with an immediate and enthusiastic reaction, as one concert-goer exclaimed afterwards, \u201cIt blew my mind!\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/symphonytacoma.org\/review-inviting-us-together-with-arx-duo-and-symphony-tacoma-from-bartok-to-beethoven-to-diberardino\/” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.21.0″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.21.0″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.21.0″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Maestra Sarah Ioannides once again demonstrated her mastery of the classics with her world-class showing of Brahms\u2019 Fourth Symphony. Ioannides deftly led the orchestra as the melody of the first movement interweaved though strings, woodwinds, and horns, building to one of the great climaxes of the nineteenth century. The entire symphony was a brilliant lecture on ensemble playing, and the orchestra was a pleasure to listen to the whole evening.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/www.southsoundmag.com\/arts-entertainment\/symphony-tacoma-reconcilitation-review\/article_f1e156b6-bc46-11ed-8e5e-63b1764a78c1.html” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.21.0″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.18.0″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.18.0″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n With Rachmaninoff\u2019s Symphonic Dances<\/em>, the orchestra came into its own. Seldom heard, this piece is just one example of some thoughtful and creative programming by Ioannides during the coming season, which also includes works by Black and female composers, a couple premieres, and a tango-inspired finale.<\/p>\n While each section had some shining moments \u2014 luscious saxophone, lilting bassoon, dark clouds of cello and bass \u2014 the best part was the rubati in the waltz. Following Ioannides\u2019 masterful architecture and intense coaxing, every musician played the expressive hesitations as as a single mind, like a ballroom of perfectly whirling spirits.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/www.southsoundmag.com\/arts-entertainment\/symphony-tacoma-review-pantages\/article_3b080c44-4f33-11ed-844b-6bbc1dc0d9a7.html” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.18.0″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.18.0″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.18.0″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Ioannides kept everyone together with a masterful authority, with only occasional messiness, while the orchestra valiantly kept beneath the soloists seated, by necessity, behind them.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/www.southsoundmag.com\/arts-entertainment\/concert-review-a-requiem-of-light-in-darkness\/article_9ac96dcc-e754-11ec-b90b-bbd2e6932e6e.html” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.18.0″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.18.0″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.18.0″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Fruity bass chords, light-hearted violins, and a horn section clearly relishing every note of their many solos all shaped into meaningful structure and build under the baton of Sarah Ioannides. Like the sun after a storm, or the finale of Beethoven\u2019s Ninth, it drew together the narratives of sorrow, stress, and separation, reminding us all of what it is to be human together in the beauty of the world.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/www.southsoundmag.com\/arts-entertainment\/concert-review-a-prayer-on-the-mountaintop\/article_9593ff5e-cb3c-11ec-87f1-bb742c846945.html” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.18.0″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.18.0″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.18.0″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Helming the orchestra, Sarah Ioannides, also known for superb control, echoed Mahidhara\u2019s tone in each interjection. The result was muted (especially in the Pantages\u2019 muffled acoustics) but reflective, setting the mood for contemplation.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/www.southsoundmag.com\/arts-entertainment\/bleeding-pines-and-a-nature-filled-fantasia\/article_a957bf92-b53b-11ec-b9aa-3f550ff1ba89.html” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.18.0″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.18.0″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.18.0″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Smetana\u2019s\u00a0Moldau<\/em>\u00a0is a fantastic story in sound, and Symphony Tacoma held the full attention of the listeners, (…), Conductor Sarah Ioannides craftily led the orchestra through the river\u2019s journey and navigated tricky transitions with grace. This music was magical.<\/p>\n Symphony Tacoma musicians stepped up to Mahler\u2019s music with precision and confidence. In movement one, distant offstage trumpet fanfares synchronized wonderfully. The final movement shifted from loss and longing to triumph and celebration. Ioannides\u2019 pacing of phrase and tempo made the symphony come alive.\u00a0\u00a0The audience burst out in a standing ovation as the final chord rang into the theater.\u00a0\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/www.southsoundmag.com\/arts-entertainment\/power-and-finesse-an-epic-concert-with-symphony-tacoma\/article_70eb394e-9a7a-11ec-bbd0-3b540a4d578b.html” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.18.0″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.16″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.16″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Ioannides remained superbly in control, (…), insisting on wider and wider dynamic arcs and gracefully reminding the audience that those moments between movements \u2014 without applause \u2014 are the hushed expressions of a thousand people all feeling the same thing. <\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/www.southsoundmag.com\/arts-entertainment\/together-in-music\/article_54e184be-35e5-11ec-%20884a-73086aec8feb.html” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.16″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.16″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.16″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n The most outstanding performance of the night was led by a masterful conducting of Anton\u00edn Dvo\u0159\u00e1k’s Symphony \u00abFrom the New World\u00bb. Starting from a deep knowledge of this work, this impetuous conductor, with a very solid British and American pedigree, deployed a great battery of technical resources, always at the service of the musical message, making the most from the orchestra during the preparation days towards this concert and assuming its pedagogical function as an essential factor in the assembly of this symphony, without losing at any time its defined and decisive artistic personality, which resulted in a great professional moment. The movement of her baton was integrated into the kinetics of her body, transmitting every detail with a clear sense of anticipation, sure pulse and balanced dynamic and metric proportionality, which left the sensation of an excellently worked and coordinated sound gear, all favored by the delivery and commitment of this new collection of musicians of the OJA, one of the cultural institutions that has been maintained by the Junta de Andaluc\u00eda and that, together with the Young Choir of Andalusia, constitutes the central nucleus of the Andalusian Program for Young Performers that fulfilled its twenty-fifth anniversary last year 2019.<\/em><\/p>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/sarahioannidesmusic.com\/review-the-andalusian-youth-orchestra-pays-tribute-to-piazzolla-under-the-direction-of-sarah-ioannides\/” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.16″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.16″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Exciting reunion of the OJA with the double patronage of Claudio Constantini and Sarah Ioannides and a very American flavor<\/span><\/em><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Saturday\u2019s performance by George…..” _builder_version=”4.16″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n For this Constantini had the invaluable complicity of the Australian director Sarah Ioannides, an Americanist expert with an excellent album with music by John Corigliano under her belt, who followed Constantini’s intervention with care and respect and wrapped him with a broad idiomatic sense in a Rhapsody in blue attacked by the young performer, now as an efficient pianist, out of respect, scrupulously following the score without additions or flourishes, so common when it is a jazz player, like him, who plays it.<\/span><\/em><\/p>\n \u00a0Ioannides remained contained in the majestic opening allegro, warm and transparent in a length built with revealing silences and a prodigious sense of instrumental balance, fast-paced and lively in the scherzo and as dynamic as it was expansive in the fiery final allegro, to all of which the template was adapted with a broad sense of clarity and commendable responsibility.<\/span><\/em><\/p>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/sarahioannidesmusic.com\/review-the-best-youth\/” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.16″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.16″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Eternal Light” _builder_version=”4.16″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Forged into a cohesive, sparkling whole from rough diamonds of poetry, art, and music by Tacoma\u2019s young people, the multimedia piece premiered by Symphony Tacoma on YouTube last weekend isn\u2019t just a pretty gem. It\u2019s 10 minutes of a vision into a hopeful future from a troubled present, of a new musical order where classical instruments fuse with electronica and voices, and where light triumphs.<\/span><\/em><\/p>\n Eternal Light<\/span> came into being from a call to Tacoma youth to submit music, dance, poetry, or art on the theme of \u201ceternal light,\u201d inspired by the ethereal \u201cLux Eterna\u201d movement from Mozart\u2019s Requiem. Predictably, symphony director Sarah Ioannides, whose creative idea this was, and who directed the project, received a stream of work that on the surface seems difficult to weave together (the prelude is a literal collage of these raw submissions over a pulsing beat).<\/span><\/em><\/p>\n [\/et_pb_text][et_pb_cta button_url=”https:\/\/southsoundmag.com\/ten-minutes-of-eternal-light\/” url_new_window=”on” button_text=”Explore More” admin_label=”Explore More” _builder_version=”4.16″ header_level=”h3″ header_font=”Cormorant Garamond||||||||” header_font_size=”34px” header_line_height=”1.4em” body_font=”Karla||||||||” body_text_color=”rgba(255,255,255,0.7)” body_font_size=”15px” use_background_color=”off” custom_button=”on” button_text_size=”18px” button_text_color=”#6fdef9″ button_border_width=”0px” button_letter_spacing=”1px” button_font=”|500|||||||” button_icon=”$||divi||400″ button_icon_color=”#6fdef9″ button_icon_placement=”left” button_on_hover=”off” button_alignment=”center” text_orientation=”left” custom_margin=”|||” link_option_url_new_window=”on” button_letter_spacing_hover=”1px” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”1px” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_cta][et_pb_divider color=”#b6b1a9″ divider_weight=”2px” _builder_version=”4.16″ max_width=”20%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”December 2019 South Sound Magazine” _builder_version=”4.16″ header_text_align=”center” header_3_font=”|300|||||||” header_3_text_align=”center” header_3_font_size=”23px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Eternal Light” _builder_version=”4.16″ text_font=”||on||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\nAugust 2023, 4barsrest<\/em><\/h3>\n
Concert Review: Repeat Curtain Calls for National Youth Brass Band<\/a><\/h2>\n
May 2023, The Suburban Times<\/em><\/h3>\n
Concert Review: Artful Representation Concludes the Symphony Tacoma Season<\/a><\/h2>\n
April 2023, By Erik Poehlman<\/em><\/h3>\n
Concert Review: Inviting Us Together with Arx Duo and Symphony Tacoma, from Bartok to Beethoven to DiBerardino<\/a><\/h2>\n
February 2023, South Sound Magazine<\/em><\/h3>\n
Concert Review:Reconciliation 140 Years in the Making<\/a><\/h2>\n
October 2022, South Sound Magazine<\/em><\/h3>\n
Concert Review:\u00a0Symphony Tacoma Comes Up Roses<\/a><\/h2>\n
June 2022, South Sound Magazine<\/em><\/h3>\n
Concert Review: A Requiem of Light in Darkness<\/a><\/h2>\n
May 2022, South Sound Magazine<\/em><\/h3>\n
Concert Review: A Prayer on the Mountaintop<\/a><\/h2>\n
April 2022, South Sound Magazine<\/em><\/h3>\n
Bleeding Pines and a Nature-Filled Fantasia<\/a><\/h2>\n
March 2022, South Sound Magazine<\/em><\/h3>\n
Power and Finesse \u2014 An Epic Concert with Symphony Tacoma<\/a><\/h2>\n
October 2021, South Sound Magazine<\/em><\/h3>\n
Together in Music<\/a><\/h2>\n
April 2021 Codalario<\/em><\/h3>\n
The Andalusian Youth Orchestra pays tribute to Piazzolla under the direction of Sarah Ioannides<\/a><\/h2>\n
April 2021 El Correo<\/em><\/h3>\n
The Best Youth<\/a><\/h2>\n
February 2021 South Sound Magazine<\/em><\/h3>\n
Ten Minutes of Eternal Light<\/a><\/h2>\n
February 2020 Amanda\u00a0<\/span>Clendenen<\/span><\/em><\/h3>\n
The Musical Melding of Genres Through Masterful Expression, Cohesion, and Reconciliation<\/a><\/h2>\n